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"The Suffrage Danger" in THE LIVING AGE Seventh Series Volume LVI, No. 3553 August 10, 1912
[Anti Suffrage] Tadema, Laurence Alma.
Boston: The Living Age Company, 1912.
Price: $95.00
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First edition.  Limited, signed issue:  no. 45 of 135 copies on Japan vellum.  Signed at the colophon as called for.  Small 8vo:  7-9/16 x 5-1/8", 73pp; grayish-green laid paper over boards with white shelfback; printed paper label at front and spine.  Fine.       The central character, young Lottie Thompson, yearns for the beautiful and chafes at the strictures of duty preached by her mother and her friends:  “A child should be taught obedience, respect, and attention.  Lottie just simply acts as if she doesn’t hear what is being said to her”.  Lottie defiantly declares:  “When I grow up I am never going to do anything that is my duty.  All the nice things are naughty.  But I am just going to do the things I like.  And I shall love all the pretty things, even if they are naughty”.  When her attachment to surface rather than substance first seduces and then betrays her, Lottie emerges with an understanding of how purpose renders its own kind of beauty.     The play, like others of the period, suggests a feminism which wishes women to question conventional roles and to see possibilities beyond the conventional.    Gervé Baronti published a number of books, novels, poetry, a memoir, and nonfiction, from 1917 to 1950.  Several titles are set in India where she lived (for how long is obscure) and where she studied with Tagore.
A MODERN PHENIX
Baronti, Gerve [pseud., Mrs. Paul R. Danner].
Boston: The Cornhill Company, (1917).
Price: $95.00
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Later printing.  16mo, 274pp; + 2pp publisher's ads; smooth dark blue cloth, stamped in black at front panel and in gold at the spine.  Contemporary gift inscription in ink at the front free endpaper.  Light wear to spine ends and tips.  Very good.  Written when Larcom was in her sixties and firmly established as a poet, "she makes her autobiography not only a New England girlhood but also a poet's education".  (Rose Norman in LEGACY, Fall 1991).  One of the few literary autobiographies written by a woman in the 19th century, Larcom's book is an invaluable source for the period and an important contribution to the genre.  See BAL 11381.
A NEW ENGLAND GIRLHOOD Outlined from Memory
Larcom, Lucy.
Boston, New York and Chicago: Houghton, Mifflin and Company The Riverside Press Cambridge, [ND].
Price: $75.00
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First edition.  Revised and with a new introduction.  Inscribed by the author at the half title page:  "For [Sir] Jerry Sloane / who needn't (but / really should) read it. / Edna Ferber / New York  May / 1960".  8vo, 383pp; smooth black cloth stamped in turquoise and gold and front and spine; black, orange and green dust jacket with photograph of the writer at the front panel. Illustrated.  Offsetting at front endpapers from a newspaper clipping; spine of jacket and book bear a 1/2" cut from a knife or other sharp implement; mild overall wear to jacket.  About very good.  Sir Jerry Sloane was only 18 when he met the formidable American author Edna Ferber.  Though she had sufficient success and self-confidence to render herself difficult more often than not, she and the young Scots aristocrat became friends.  When he confessed he had not read her autobiography, this inscribed copy of A PECULIAR TREASURE appeared.  She had published the first version of her autobiography in 1939, in the shadow of the coming world war.  The revised version reflects the enormous events and changes in attitude which occurred during the two intervening decades.  She emphasizes that, even with the revisions, "The book is what it originally was, the autobiography f an American Jewish child, girl and woman, born in the Middle West in the middle eighties".
A PECULIAR TREASURE
Ferber, Edna.
Garden City, New York: Doubleday & Company, Inc., 1960.
Price: $225.00
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A ROOM OF ONE'S OWN
Woolf, Virginia.
London: The Hogarth Press, 1929.
Price: $17,500.00
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First edition.  (1/3040 copies).  Small crown 8vo, 172pp; cinnamon cloth boards, lettered in gold on the spine; pale pink dust jacket designed by Vanessa Bell printed in navy blue.  Small bookseller's ticket (Gotham Mart) at rear pastedown; touch of offsetting to front endpapers.  Spine darkened with shallow edgewear to the head of the spine and a 1/2 x 3/8" triangular piece lacking at the foot; tiny nicks at tips.  The book is in exemplary condition and the dust jacket generally attractive.  Fine in very good jacket.  A key feminist text.  Kirkpatrick A12b (preceded by the limited edition).  Woolmer 215b.
A ROOM OF ONE'S OWN
Woolf, Virginia.
London: The Hogarth Press, 1929.
Price: $5,000.00
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AUTOGRAPH LETTER SIGNED
Lyon, Mary.
South Hadley Canal: to Messrs. Merriam, Booksellers, Nov. 14, 1836.
Price: $500.00
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AUTOGRAPH LETTER SIGNED
Barton, Clara.
[Washington, DC]: [To Harriette Reed], Monday Jan 16. 93.
Price: $1,200.00
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Booklet:  9 x 6-3/8", unpaginated; white wrappers (stapled) printed in red and black; tabbed leaves.  Illustrated with red line drawings.  Overall use with some crinkling of the fore corners.  Very good.  Foreword by Nora L. Kearns, President of the National Federation of Republican Women, and Louella Dirksen, Chairman, Public Relations.  A blueprint to increase Republican voters and public support of Republican policies.  The motto, "More in '54" "means more Republican Senators and more Republican Representatives in the next election to provide President Eisenhower a more substantial working majority in both branches of Congress... But it means something MORE.  It means more patience, more understanding, more trust, as this Republican administration steadfastly undertakes to counteract the New Deal philosophy which threatened the financial solvency, the inherent freedom, and the Constitutional foundations of America".  The blueprint sets out nine steps, a tabbed leaf printed on one side with space for "Notes" or "Membership Data" at the reverse.  Step One, for example, suggests the club campaign and the club membership chairs collect (1) a map with area precincts; (2) a list of club members with information on ward and precinct; (3) list of registered voters in each precinct; and (4) membership applications.  Step Six lists what Republican club women can do:  "inform the voting public on all election issues; establish booths to inform the electorate on voting regulations; 'serve in the local Republican headquarters"; "canvass the precinct for registration". etc.  The booklet, in short, offers campaign how-to's with women as grassroots foot soldiers.  OCLC locates one copy at Duke University.
Booklet: PLAN OF ACTION FOR "MORE IN 54"
[Women & Politics] Nat'l Federation of Republican Women,
Washington, D.C.: National Federation of Republican Women, (1953).
Price: $150.00
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Broadside:  10-1/4 x 6", printed black on buff stock (at one side), with red title.  Creased where folded twice (likely to fit an envelope); two short closed tears at folds (right margin, not affecting text); small nick at left edge; browning along creases at verso.  About very good.  The Republican National Committee prints a series of "Because" answers, emulating the style of various suffrage broadsides.  Here, of course, the RNC provides reasons why women should vote Republican, starting first with Republican support for woman suffrage ("It gave WOMEN the right to vote").  It also credits the Republican Party for creation of the Women's Bureau, sponsorship of child labor legislation, advancing education, generous veteran benefits, the prosperity of American labor, reduced taxes which have enhanced the economy, and stable business conditions ("BUSINESS looks forward to a period of unprecedented prosperity").  The RNC's final claim is that Republicans "called, directed, and inspired the Disarmament Conference, the greatest victory of the ages in the cause of PEACE"  (1931-1937), which suggests it issued the broadside during the 1932 election campaign.  The Republicans played a key role in passage of the Nineteenth Amendment and sought the support of women voters on the strength of this throughout the 1920s and into the 1930s.  The language of the broadside offers, in retrospect, a rather extraordinary example of campaign rhetoric.  OCLC does not show an institutional holding.
Broadside: "EVERY WOMAN A VOTER"
[Women & Politics], Republican National Committee.
Washington, D.C.: Republican National Committee, [ND, but ca. 1932].
Price: $200.00
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Broadside: BY-LAWS OF THE NEW-ENGLAND WOMEN’S CLUB
[Women’s],
[NP: , ca. 1894].
Price: $65.00
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Broadside:  single sheet, 10-7/8 x 8", printed black on buff stock (single side).  Pencil notation in a large hand at the upper right corner "1916".  Generally very good.       In 1916 Alice Paul and her National Woman's Party emulated the example of British suffragettes and campaigned against the party in power during the 1916 elections.  The broadside declares "The President / refused to support the federal amendment and declared his personal opposition to it'.  It lambastes Democratic legislators for their failure to pass a federal amendment.  It details the faltering efforts of the Sixty-third Congress such as a near miss in the Senate:  "The vote of the Senate on the amendment was 35 for and 34 against.  It failed to secure the necessary two-thirds' majority by only eleven votes".  And the broadside renders a succinct and damning assessment of the Sixty-fourth Congress:  "The President / reiterated his opposition...In the Senate / no effort has been made by the Democratic party to pass the suffrage amendment through Congress".       The strategy infuriated Democratic legislators who had long supported woman suffrage and provoked exasperation and frustration in Carrie Chapman Catt who saw NAWSA's careful nurturing of legislative ties blasted.  Democratic legislators, stung by the attempts by the National Woman's Party to deter their reelection (which met with some success), cooled toward the movement.  When the 19th amendment finally gained the necessary votes in the House and the Senate in 1919, Republicans rather than Democrats made passage possible.  Alice Paul's strategy had an immediate impact on the woman suffrage movement, but its effects continued into the next decade when women voters, perhaps  mindful of the role of the Republican Party in the success of the 19th Amendment, flocked to that party.         Literature published by the National Woman's Party is uncommon.  This broadside, detailing the sins of the Democratic party and urging the defection of woman suffrage supporters from their candidates, documents a pivotal event in the suffrage movement.  OCLC does not locate a copy.
Broadside: WOMEN VOTERS VOTE AGAINST WILSON HE OPPOSES NATIONAL WOMAN SUFFRAGE
[Suffrage],
Washington, D.C.: National Woman's Party, [ca. 1916].
Price: $200.00
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Button and ribbon:  celluloid button, 11/16" in diameter, white background within a red surround and the legend "I / AM" in red lettering; simple pin catch at reverse; manufacturer's printed paper backing present.  With off-white silk ribbon:  2-9/16 x 5-3/8" plus fringe; printed in blue with a vignette of a pair of birds at the top of the ribbon with "FOR THE" beneath and "PROPOSED AMENDMENT" running perpendicularly the length of the ribbon.  White ground of button a little dimmed. The ribbon is slightly age-toned with one mild brown spot.  Very good.  Like much suffrage ephemera, the date and origin of this button and ribbon are undocumented.  However, the bluebird suggests it may have come from the 1915 Massachusetts campaign for passage of an amendment which would allow women to vote.  The very active Massachusetts affiliate of the NAWSA produced, for instance, a striking window sign of a large bluebird with "Votes for Women".
Button & Ribbon, "I AM FOR THE PROPOSED AMENDMENT"
[Suffrage Ephemera],
Rochester, NY: Bastion Bros., [ND, but ca. 1915].
Price: $1,250.00
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Celluloid pinback button:  5/8" in diameter with simple straight catch at back, cream ground with "VOTES / FOR / WOMEN / INDIANA; paper backing of Bastion Bros. at reverse.  Fine.  Though Indiana formed a woman suffrage organization in 1851, just three years after the Seneca Falls Convention, by 1900 the movement had gained little ground.  In the last decade of the campaign, however, Indiana's woman suffrage organizations reenergized themselves.  They first pursued an amendment to the state constitution.  When the governor proposed calling a state constitutional convention in 1912, suffragists then focused on persuading convention delegates to draft language permitting women to vote.  It was another four years before the new constitution was put before the voters.  Suffragists tirelessly lobbied delegates, handed out literature and distributed campaign materials.  This button likely came out of this period of intense activity by Indiana suffragists.
Button: "Votes for Women Indiana"
[Suffrage Ephemera],
Rochester, N.Y.: Bastion Bros. Co., c. 1911-1917].
Price: $250.00
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Celluloid button:  7/8" in diameter with straight pin catch at reverse, 3/16" purple rim with white lettering surrounding green center; with legend "VOTES" (at upper purple margin of button), "FOR" (at green center), "WOMEN" (at lower purple margin).  At reverse is button paper printed "Connecticut / Woman Suffrage / Association / 55-57 Pratt St. / Hartford, Conn." with union slug.  Tiny dot of wear to celluloid at right margin (just near the "N" in "Women").  Very good.        The button, probably issued during the last decade of the fight for woman suffrage, is one of the relatively few pins issued unique to a particular state.  A state organization often adapted the familiar black and gold "Votes for Women" button by using a backing paper imprinted for its particular association.  The purple/white/green colors of the button are adopted from the British woman suffrage movement whose influence Harriot Stanton Blatch brought to bear in New York, New Jersey and Connecticut.
Button: "Votes for Women"
[Suffrage],
(52-55 Pratt St., Hartford, Conn.): Connecticut Woman Suffrage Association, [ND, but c. 1910-1920].
Price: $350.00
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