Results for: American Culture
[Bookplates] Stone, Wilbur Macey.
Boston: Alfred Bartlett, September, 1901.
Price: $35.00
more info
add to cart
Meyerowitz, Joel.
(New York): TIMES BOOKS, published in association with Floyd A. Yearout, (1985).
Price: $150.00
more info
add to cart
Armstrong, Sara Garden.
New York: Willis, Locker & Owens, (1990).
Price: $95.00
more info
add to cart
[Nat Turner] Higginson, T.W.
Boston: Ticknor and Fields, 1861.
Price: $100.00
more info
add to cart
BEACON HILL: A Local Poem, Historic and Descriptive. Book I
M[orton], S[arah Wentworth].
Boston: Printed by Manning & Loring for the Author, 1797.
Price: $5,500.00
more info
add to cart
M[orton], S[arah Wentworth].
Boston: Printed by Manning & Loring for the Author, 1797.
Price: $5,500.00
more info
add to cart
[Women & Politics], Republican National Committee.
Washington, D.C.: Republican National Committee, [ND, but ca. 1932].
Price: $200.00
more info
add to cart
Chicago, Judy with Susan Hill.
Garden City, New York: Anchor Books, 1980.
Price: $75.00
more info
add to cart
[O'Neill, Eugene] McCabe, Jennifer.
[Pittsburgh]: University of Pittsburgh Press, 1974.
Price: $30.00
more info
add to cart
Tarbell, Ida M[inerva].
New York: Moffat, Yard and Company, 1909.
Price: $75.00
more info
add to cart
Sprague, Julia A.
Boston: Lee and Shepard, 1894.
Price: $75.00
more info
add to cart
[Feminism], S[an] F[rancisco] NOW.
[San Francisco, CA: S.F. NOW, c. 1981].
Price: $150.00
more info
add to cart
[ERA], [League of Women Voters].
(Washington, D.C.): League of Women Voters of the United States, (ca. 1973).
Price: $75.00
more info
add to cart
![First edition. State A - no priority established - of the cover sheet with the statement "Price, 25 cents net" set 1-3/4" and with the imprint of Boston and Cleveland publishers; and State B of page [1] - no priority established - with the word "author" spelled correctly and copyright notice at foot "...Court of the /District of...". Off-white printed sheets, 10-5/8" (wide) x 14-1/8" (long), with vignette of Little Eva and Uncle Tom signed Baker-Smith at the front cover. Discreet institutional stamp at rear (left lower corner) and number stamp in blue also at rear (right lower corner). Archival tape reinforces spine and neat page numbers (from prior bound volume) at upper right. Covers show mild age-toning and surface soiling. Generally an attractive copy. About very good. John Jewett had published UNCLE TOM’S CABIN with a ten percent royalty payable to Mrs. Stowe, Harriet and her sister Catherine having declined his offer to split cost and profit equally. The stunning success of the book convinced them they had made the wrong decision; Catherine, in fact, was furious, sure that the canny publisher had taken advantage of their naïveté. Jewett had pledged, however, to promote the book assiduously and "spare no pains nor expense nor effort to push the book into an unparalleled circulation". Joan Hedrick in her very fine biography of Harriet Beecher Stowe explains "the cultural elaborations of this publishing event are owing to his efforts". UNCLE TOM'S CABIN, as a contemporary observer, commented was into theaters, and "will enter largely into exhibitions of paintings and statuary. It will have its music". Jewett ensured the book would have its music by commissioning John Greenleaf Whittier for $50.00 to write a poem about Little Eva "and getting someone else to set the words to music". The poem first appeared in the newspaper THE INDEPENDENT and was circulated from hand to hand. One Beecher wrote of his verses, "They are beautiful but you should hear Charles [Beecher] sing them, in his clear, rich voice, to know their full power". The publication of UNCLE TOM’S CABIN, in many ways, was the critical event of 19th century America. For decades politicians had sought by compromise to defang the issue of slavery, while its poisons continued to seep through American society. The effect of UNCLE TOM'S CABIN was to take the issue of slavery away from the politicians and a small radical band of abolitionists into the popular culture. The novel inundated America, sweeping away whatever appearance of right or propriety had been claimed by proponents of slavery for a system which enchained and degraded an entire race. This sheet music, like the plays and prints and other items which arose in the wake of the novel, suggest the massive impact of UNCLE TOM'S CABIN and how it pushed the young nation to confront an issue it had sought to evade since its inception. It is one of the most resonant artifacts of America's political and literary past. BAL 21776, PICTURED. Blanck pictures page 1 of the sheet music on p. 130 (Volume VI).](/wharton/images/items/120x300/15248.jpg "First edition. State A - no priority established - of the cover sheet with the statement \"Price, 25 cents net\" set 1-3/4\" and with the imprint of Boston and Cleveland publishers; and State B of page [1] - no priority established - with the word \"author\" spelled correctly and copyright notice at foot \"...Court of the /District of...\". Off-white printed sheets, 10-5/8\" (wide) x 14-1/8\" (long), with vignette of Little Eva and Uncle Tom signed Baker-Smith at the front cover. Discreet institutional stamp at rear (left lower corner) and number stamp in blue also at rear (right lower corner). Archival tape reinforces spine and neat page numbers (from prior bound volume) at upper right. Covers show mild age-toning and surface soiling. Generally an attractive copy. About very good. John Jewett had published UNCLE TOM’S CABIN with a ten percent royalty payable to Mrs. Stowe, Harriet and her sister Catherine having declined his offer to split cost and profit equally. The stunning success of the book convinced them they had made the wrong decision; Catherine, in fact, was furious, sure that the canny publisher had taken advantage of their naïveté. Jewett had pledged, however, to promote the book assiduously and \"spare no pains nor expense nor effort to push the book into an unparalleled circulation\". Joan Hedrick in her very fine biography of Harriet Beecher Stowe explains \"the cultural elaborations of this publishing event are owing to his efforts\". UNCLE TOM'S CABIN, as a contemporary observer, commented was into theaters, and \"will enter largely into exhibitions of paintings and statuary. It will have its music\". Jewett ensured the book would have its music by commissioning John Greenleaf Whittier for $50.00 to write a poem about Little Eva \"and getting someone else to set the words to music\". The poem first appeared in the newspaper THE INDEPENDENT and was circulated from hand to hand. One Beecher wrote of his verses, \"They are beautiful but you should hear Charles [Beecher] sing them, in his clear, rich voice, to know their full power\". The publication of UNCLE TOM’S CABIN, in many ways, was the critical event of 19th century America. For decades politicians had sought by compromise to defang the issue of slavery, while its poisons continued to seep through American society. The effect of UNCLE TOM'S CABIN was to take the issue of slavery away from the politicians and a small radical band of abolitionists into the popular culture. The novel inundated America, sweeping away whatever appearance of right or propriety had been claimed by proponents of slavery for a system which enchained and degraded an entire race. This sheet music, like the plays and prints and other items which arose in the wake of the novel, suggest the massive impact of UNCLE TOM'S CABIN and how it pushed the young nation to confront an issue it had sought to evade since its inception. It is one of the most resonant artifacts of America's political and literary past. BAL 21776, PICTURED. Blanck pictures page 1 of the sheet music on p. 130 (Volume VI).")
[Stowe, Harriet Beecher] Whittier, John G[reenleaf].
Boston: John P. Jewett & Company. New York: Newman & Ivison, 1852.
Price: $750.00
more info
add to cart
MOONLIGHT SCHOOLS
Stewart, Cora Wilson.
New York: E. P. Dutton & Company, (1922).
Price: $350.00
more info
add to cart
Stewart, Cora Wilson.
New York: E. P. Dutton & Company, (1922).
Price: $350.00
more info
add to cart
![Only edition. Pamphlet: 5-1/4 x 3-7/8", [12]pp; black wrappers (stapled) with silver lettering and decorations; halftone photographic portrait of the writer at the last page, with facsimile signature. Very good. An account of an aged couple who lose their home, despite having worked all of their lives. At the story's end appears a letter from [Bishop] Frances McConnell as President of the American Association for Old Age Security. He writes the enactment of a state "Old Age Security Law" could prevent stories such as that of Martin and Bertha. Obviously written prior to the passage of the Social Security Act, LIGHTS OUT is a sentimental, but effective argument for enabling those earnings have provided them a meager living to grow old in the comfort and dignity of their home. Jane Addams, who served as a vice president of the Association and was a good friend of Zona Gale, wrote an endorsement of the piece. The writer's first stories featured two elderly lovers, suggesting her empathy for the elderly throughout her life. It was after she met Senator Robert M. La Follette in 1913, however, that she became an activist in a variety of causes: the American Civic Association, the Women's Trade Union League, the General Federation of Women's Clubs, the Wisconsin Peace Society and the Wisconsin Woman Suffrage Association. As Walter Rideout summarized in his profile of the writer in NOTABLE AMERICAN WOMEN, "A conscientious author, she was equally a conscientious citizen of her nation and her state, both in her devotion to idealistic causes and in her willingness to assume public responsibilities". LIGHTS OUT is an excellent and unusual example of these qualities.](/wharton/images/items/120x300/14833.jpg "Only edition. Pamphlet: 5-1/4 x 3-7/8\", [12]pp; black wrappers (stapled) with silver lettering and decorations; halftone photographic portrait of the writer at the last page, with facsimile signature. Very good. An account of an aged couple who lose their home, despite having worked all of their lives. At the story's end appears a letter from [Bishop] Frances McConnell as President of the American Association for Old Age Security. He writes the enactment of a state \"Old Age Security Law\" could prevent stories such as that of Martin and Bertha. Obviously written prior to the passage of the Social Security Act, LIGHTS OUT is a sentimental, but effective argument for enabling those earnings have provided them a meager living to grow old in the comfort and dignity of their home. Jane Addams, who served as a vice president of the Association and was a good friend of Zona Gale, wrote an endorsement of the piece. The writer's first stories featured two elderly lovers, suggesting her empathy for the elderly throughout her life. It was after she met Senator Robert M. La Follette in 1913, however, that she became an activist in a variety of causes: the American Civic Association, the Women's Trade Union League, the General Federation of Women's Clubs, the Wisconsin Peace Society and the Wisconsin Woman Suffrage Association. As Walter Rideout summarized in his profile of the writer in NOTABLE AMERICAN WOMEN, \"A conscientious author, she was equally a conscientious citizen of her nation and her state, both in her devotion to idealistic causes and in her willingness to assume public responsibilities\". LIGHTS OUT is an excellent and unusual example of these qualities.")
Gale, Zona [and American Association for Social Security].
[New York City: American Association for Old Age Security, ca. 1927-1933?].
Price: $450.00
more info
add to cart
![First edition. 16mo, v, 333pp; smooth dark green cloth stamped in gilt front and spine; beveled edges; light brown floral endpapers. T.e.g. Title page printed in red and black. Tips a trifle bumped and frayed. Near fine. Third in a series entitled "The Literary Life". In his Preface, the editor writes "These are not biographies..., but a series of sketches, anecdotes, and personal reminiscences relating to the more modern authors — that is authors who are now living, or who have died very recently and whose work belongs to the present half of the century". Represented are Thomas Carlyle, George Eliot, John Ruskin, John Henry Newman, Alfred Tennyson, Ralph Waldo Emerson, William Cullen Bryant, Longfellow and Whittier, Lowell and Holmes, Nathaniel Hawthorne, Walt Whitman, Bayard Taylor, Swinburne and Oscar Wilde, the Brownings, Charles Dickens, William Makepeace Thackeracy, and "Some Younger Writers" (William Morris, Matthew Arnold, Owen Meredith and Jean Ingelow). The editor drew upon a variety of magazine articles, his own interviews with various authors and reminiscences of others. Margaret Fuller, for instance, describes meeting Thomas Carlyle, a report originally printed by THE NEW YORK HERALD TRIBUNE and published in AT HOME AND ABROAD. Louisa May Alcott reports her introduction to Jean Ingelow, an account which THE QUEEN, an English periodical first published (this, the first book publication). The suggestion that Alcott a mushy sentimentalist evaporates when she writes of Ingelow: "[she] was plain, rather stout, hair touched with gray, [with] shy yet cordial manners, and a clear, straightforward glance, which I liked so much that I forgave her on the spot for writing those dull stories". A handsome copy. BAL 200. The publisher issued at least two subsequent printings of PEN PICTURES.](/wharton/images/items/120x300/14704.jpg "First edition. 16mo, v, 333pp; smooth dark green cloth stamped in gilt front and spine; beveled edges; light brown floral endpapers. T.e.g. Title page printed in red and black. Tips a trifle bumped and frayed. Near fine. Third in a series entitled \"The Literary Life\". In his Preface, the editor writes \"These are not biographies..., but a series of sketches, anecdotes, and personal reminiscences relating to the more modern authors — that is authors who are now living, or who have died very recently and whose work belongs to the present half of the century\". Represented are Thomas Carlyle, George Eliot, John Ruskin, John Henry Newman, Alfred Tennyson, Ralph Waldo Emerson, William Cullen Bryant, Longfellow and Whittier, Lowell and Holmes, Nathaniel Hawthorne, Walt Whitman, Bayard Taylor, Swinburne and Oscar Wilde, the Brownings, Charles Dickens, William Makepeace Thackeracy, and \"Some Younger Writers\" (William Morris, Matthew Arnold, Owen Meredith and Jean Ingelow). The editor drew upon a variety of magazine articles, his own interviews with various authors and reminiscences of others. Margaret Fuller, for instance, describes meeting Thomas Carlyle, a report originally printed by THE NEW YORK HERALD TRIBUNE and published in AT HOME AND ABROAD. Louisa May Alcott reports her introduction to Jean Ingelow, an account which THE QUEEN, an English periodical first published (this, the first book publication). The suggestion that Alcott a mushy sentimentalist evaporates when she writes of Ingelow: \"[she] was plain, rather stout, hair touched with gray, [with] shy yet cordial manners, and a clear, straightforward glance, which I liked so much that I forgave her on the spot for writing those dull stories\". A handsome copy. BAL 200. The publisher issued at least two subsequent printings of PEN PICTURES.")
(Alcott, Louisa May) [Walsh] Shepard, William (ed).
New York: G.P. Putnam, 1882.
Price: $250.00
more info
add to cart
[ERA],
[NP: , ca. 1981].
Price: $35.00
more info
add to cart
[Jewett, Sarah Orne].
Philadelphia: Curtis Publishing Co., [1891].
Price: $150.00
more info
add to cart
Sheet Music: A SONG OF LOVE (Chanson d'Amour)" (Words by Victor Hugo)
[Sheet Music] Beach, Mrs. H.H.A. [Amy Marcy Cheney Beach].
Boston: Arthur P. Schmidt, [ca. 1893].
Price: $250.00
more info
add to cart
[Sheet Music] Beach, Mrs. H.H.A. [Amy Marcy Cheney Beach].
Boston: Arthur P. Schmidt, [ca. 1893].
Price: $250.00
more info
add to cart
