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A ROOM OF ONE'S OWN
Woolf, Virginia.
London: The Hogarth Press, 1929.
Price: $17,500.00
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THE HISTORY OF WOMAN SUFFRAGE Vol. IV. 1883-1900
Anthony, Susan B., and Ida Husted Harper, Editors.
Rochester, NY: Susan B. Anthony, [1902].
Price: $7,500.00
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First edition.  (1/3040 copies).  Small crown 8vo, 172pp; cinnamon cloth boards, lettered in gold on the spine; pale pink dust jacket designed by Vanessa Bell printed in navy blue.  Small bookseller's ticket (Gotham Mart) at rear pastedown; touch of offsetting to front endpapers.  Spine darkened with shallow edgewear to the head of the spine and a 1/2 x 3/8" triangular piece lacking at the foot; tiny nicks at tips.  The book is in exemplary condition and the dust jacket generally attractive.  Fine in very good jacket.  A key feminist text.  Kirkpatrick A12b (preceded by the limited edition).  Woolmer 215b.
A ROOM OF ONE'S OWN
Woolf, Virginia.
London: The Hogarth Press, 1929.
Price: $5,000.00
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WOMAN IN THE NINETEENTH CENTURY
[Ossoli] Fuller, Margaret.
New York: Greeley & McElrath, 1845.
Price: $4,500.00
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Pamphlet:  10-3/8 x 7", printed in double-columns on off-white stock.  Unopened.  Minor rumpling.  Very good.  THE INDEX was the official publication of the Free Religious Association begun in 1867 by Francis Abbot, Octavius B. Frothingham and others to encourage freedom of religious thought.        In 1895 Elizabeth Cady Stanton, long a critic of the repression of women by established religions, published the first volume of THE WOMAN’S BIBLE.  Immediately it provoked a storm of controversy within and without the movement with its contention that prior translations deliberately had chosen language injurious to women.  Suffrage colleagues wished the NAWSA to pass a resolution condemning the book and Stanton’s insistence on the need for women to gain a fairer footing in churches everywhere.  Stanton took to her pen to present her views in three articles which together summarize in one extended argument how established religion systematically denigrated women.  FREE THOUGHT MAGAZINE in 1896 printed "The Effects of Woman Suffrage on Questions of Moral and Religion"; "The Degraded Status of Woman in the Bible"; and, "The Christian Church and Woman".  The magazine also issued the three articles as a pamphlet (publication date unknown, but likely the magazine appearances preceded).  "The Christian Church and Woman" contains the crux of Stanton's argument, perhaps why THE INDEX had chosen to print it and issue an offprint.       She takes aim with her first sentence in which she points to how the ideas of Confucius, Buddha, Mohammed and Jesus and the gradual sophistication of science have worked to move "the world from the reign of brute force to moral power” while “the Christian Church has steadily used its influence against progress, science, the education of the masses, and freedom for woman".  Stanton sees the “prolonged slavery of woman [as] the darkest page in human history”.  She scathingly describes canon law as evolved by the Catholic Church and its impact upon women:  "Her sex was made a crime; marriage a condition of slavery, owing obedience; maternity a curse; and the true position of all womankind one of inferiority and subjection to all men; and the same ideas are echoed in our pulpits today”.  Briskly Stanton surveys the history of the church in England and the United States vis à vis women and finally alights upon the Hindu custom of suttee:  “[Women] have been trained by their religion to sacrifice themselves, body and soul, for the men of their families and to build up the churches.  We do not burn the bodies of women to-day; but we humiliate them in a thousand ways, and chiefly by our theologies".      It is not surprising that only these two associations, both far more liberal than mainstream America, provided a forum for Elizabeth Cady Stanton’s arguments.  Likely the audiences were limited, but the doughty reformer employed her masterful rhetoric to great effect.  The essay retains all the force of its original power and offers a vision of equality of the sexes within religious institutions yet to be effected today.
Pamphlet: THE CHRISTIAN CHURCH AND WOMEN Republished from the Index, Boston
Stanton, Mrs. E[lizabeth] Cady.
[NP]: , [ND, but ca. 1896-1898].
Price: $1,250.00
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Button and ribbon:  celluloid button, 11/16" in diameter, white background within a red surround and the legend "I / AM" in red lettering; simple pin catch at reverse; manufacturer's printed paper backing present.  With off-white silk ribbon:  2-9/16 x 5-3/8" plus fringe; printed in blue with a vignette of a pair of birds at the top of the ribbon with "FOR THE" beneath and "PROPOSED AMENDMENT" running perpendicularly the length of the ribbon.  White ground of button a little dimmed. The ribbon is slightly age-toned with one mild brown spot.  Very good.  Like much suffrage ephemera, the date and origin of this button and ribbon are undocumented.  However, the bluebird suggests it may have come from the 1915 Massachusetts campaign for passage of an amendment which would allow women to vote.  The very active Massachusetts affiliate of the NAWSA produced, for instance, a striking window sign of a large bluebird with "Votes for Women".
Button & Ribbon, "I AM FOR THE PROPOSED AMENDMENT"
[Suffrage Ephemera],
Rochester, NY: Bastion Bros., [ND, but ca. 1915].
Price: $1,250.00
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First edition.  Copy of suffrage activist May Brayton Briggs with her signature at the front free endpaper.  8vo, 100pp; (including Appendices); navy blue vertically-ribbed cloth stamped in gold front and spine; pale blue dust jacket printed in black.  The jacket displays minor fading and some wear around the spine ends.  The book is fine.  The presence of the original dust jacket is unusual.  Catt has compiled documents related to "why an amendment to the Federal Constitution is the most appropriate method of dealing with the question" of woman suffrage.  Of the six chapters, Catt has written or compiled those entitled, "Why the Federal Amendment?"; "Election Laws and Referenda"; "The Story of the 1916 Referenda" and "Objections to the Federal Amendment".  Mary Sumner Boyd and the Hon. Henry Wade Rogers, Judge of the U.S. Circuit Court of Appeals, NYC, contributed the two chapters focusing on state issues.  Appendix A reviews suffrage in other countries;  Appendix B classifies the "36 male suffrage states" according to how state constitutions are amended and how difficult passage of woman suffrage according to the NAWSA.     Woman suffrage had received a disheartening setback in 1915 when Massachusetts, New Jersey, New York and Pennsylvania all voted down state referenda on the question.  Anna Howard Shaw's faltering presidency finally ended and Carrie Chapman Catt succeeded her to the head of the NAWSA.  She developed a two-prong campaign which came to be known as Mrs. Catt's "Winning Plan" [NAW] and which sought passage of a suffrage amendment while continuing to push for winning suffrage for women on a state level.  Her tact and statesmanship won over Woodrow Wilson and other influential politicians.  [Robert Booth Fowler's essay "Carrie Chapman Catt, Strategist"  in ONE WOMEN, ONE VOTE is invaluable for its fine analysis of Catt's political skills.  He emphasizes how controversial her "winning plan"  was when Catt insisted that suffrage be pursued on the federal level.] 1917 proved the pivotal year in this long campaign.  This book underscores Catt's insistence on persuasion by reason.  (Though Catt also cleared the path for the 19th Amendment by leading the NAWSA in a campaign in 1917 to unseat four unsympathetic senators.  As a politician and a general she was quite prepared to promulgate a 'take no prisoners' policy when necessary.)  Here, the dry titles of the articles provide intentional camouflage; in fact, the book is a decisive plan-of-action conceived and executed by a skilled and determined strategist of the first order.       May Brayton Briggs became a supporter of woman suffrage, as she wrote, "not because I desired and decided to be, and then sought props to support my position but because my reading, observing and thinking, gradually brought me to the conclusions which I found were in harmony with those held by the advocates of equal suffrage".  The Kroch Library at Cornell University now holds various manuscripts which Briggs wrote during the campaign for women suffrage in Massachusetts:  notes for speeches, verses on anti suffrage complaints and being on the stump, etc.  She was a lively, energetic voice on behalf of women's rights.  NAW I, pp. 309-312 (re Carrie Chapman Catt).  Weatherford, A HISTORY OF THE AMERICAN SUFFRAGIST MOVEMENT.  Wheeler, ONE WOMAN, ONE VOTE, pp. 295-314.  Krichmar 1517.  A copy exceptional for its provenance and condition.
WOMAN SUFFRAGE BY FEDERAL CONSTITUTIONAL AMENDMENT compiled by Carrie Chapman Catt
Catt, Carrie Chapman (ed).
New York: National Woman Suffrage Publishing Co., Inc., 1917.
Price: $1,250.00
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First edition.  First and only printing.  Signed and dated at the front fee endpaper:  "Charlotte Perkins Gilman / 1909 — Jan. 26th".  8vo, 390pp; brown gilt-stamped cloth.  Tips and foot of spine lightly worn; additional mild wear along spine where it joins the front cover.   Generally a firm, fresh and pleasing copy.  Very good.        Charlotte Perkins Stetson Gilman (1860-1935), a member of the illustrious Beecher family, is considered the leading intellectual of the woman’s movement.  Her most important and influential book, WOMAN AND ECONOMICS (1898), an extremely successful book with nine printings between 1898 and 1920, with translations into several foreign languages, was to be succeeded by HUMAN WORK.  She wrote and rewrote the text, but was not satisfied with the result.  When she realized it would not be ready for publication on time, she started another book, CONCERNING CHILDREN.  Returning to HUMAN WORK again (having completed yet another book entitled THE HOME:  Its Work and Influence), the author explained the length of time necessary to write it by saying it "was not to be reeled off like my usual stuff". [Lane, A. J.  THE LIFE AND WORK OF CHARLOTTE PERKINS GILMAN].  Gilman thought the book her best and most important title, although it did not sell well, to her great disappointment.  She brings together many of the same major themes of her first three books in HUMAN WORK:  the economic subordination of women; the belief of human changeability and progress; and the need to replace male power with female principles of nurture and cooperation.  The main theme, however, was the value of work as an end in itself, as its own reward rather than what work would "get" for the worker, as well as a corresponding disavowal of consumerism.  An important text,  the culmination of the writer’s most critical and influential thinking.  NAW II, pp. 39-42.  Scharnhorst 1104.  WOMEN'S WRITING, pp. 348-350.
HUMAN WORK
Gilman, Charlotte Perkins.
New York: McClure, Phillips & Co., 1904.
Price: $1,250.00
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AUTOGRAPH LETTER SIGNED
Barton, Clara.
[Washington, DC]: [To Harriette Reed], Monday Jan 16. 93.
Price: $1,200.00
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Cabinet photograph:  Image, 5-1/2 x 3-15/16", photographer's board, 6-3/8 x 4-1/8", albumen print mounted to off-white printed photographer's board.  The photograph is a three-quarters portrait with an aged Mott seated, wearing Quaker garb of a plain dress and a white cap.  "Lucretia Mott / Quaker - Abolitionist- Phila." in black ink at reverse (not in Mott's hand).  Tiny nick to image at upper edge; mild overall use and age-toning with a few light stains to the board.  Very good.       Lucretia Coffin Mott (1793-1880),  Quaker minister, a pioneer in the women's rights movement and abolitionist, gave her formidable intelligence and spirit to key 19th c. reform  movements.  She met Elizabeth Cady Stanton at the World's Anti-Slavery Convention in London in 1840 and this historic meeting resulted in the Seneca Falls Conference in 1848.  She spent her life trying to better the lives of those less fortunate:  whether working for abolition or, after the Civil War, pressing for Negro suffrage and furtherance of their educational opportunities, working for women's rights, speaking on behalf of religious freedom or calling for the end to capital punishment.  She contributed much to this country's notions of right and wrong, social justice and personal commitment to ideals.     Photographer Isaac G. Tyson, with his brother, took a number of photographs in Gettysburg during the Civil War where they had a gallery.  Later he moved to Philadelphia and acquired a reputation as a portrait photographer.  As well as Lucretia Mott, Tyson photographed James Mott, Mary Ann McClintock (another of the Seneca Falls four) and Edward Hicks.  Mott had posed for the photographer at least once earlier.  Swarthmore Friends Historical Library holds a copy of the albumen print, which dates it to June 4, 1878.  The library also holds another photograph taken around the same time of Lucretia with daughter Maria Mott Davis and granddaughters Anna D. Hallowell and Maria Hallowell.  A handsome image.  We have not been able to locate another copy other than that at Swarthmore.
CABINET PHOTOGRAPH
[Mott, Lucretia].
[Philadelphia: Tyson, ND, but June 4, 1878].
Price: $750.00
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Celluloid button:  3/4" in diameter, straight pin catch at reverse; yellow ground with "VOTES / FOR WOMEN" in black lettering; manufacturer's paper present at back, printed white on orange.  Mild superficial wear with some darkening of the yellow background.  Very good.  California held its first state referendum on the woman suffrage question in 1896.  Despite vigorous campaigning by Susan B. Anthony, then 76 years old, and other notable suffrage leaders, the referendum went down to defeat.  Fifteen years later suffragists persuaded state lawmakers to put the issue before the voters again and this time, by a breathtakingly narrow margin, suffragists carried the day.  While it is not possible to ascertain definitively whether the button came from this campaign, certainly the presence of a California manufacturer's paper points to such a conclusion.  Ted Hake gives the dates of The Wm. L. Hoegee Co. of Los Angeles as 1906-1920, which jibes with a 1911 manufacture date.  Bastion Bros. of Rochester and Whitehead & Hoag of Baltimore produced many suffrage buttons distributed throughout the northeast.  This is the first button, however, we have seen clearly produced in California.
Button: "Votes for Women"
[Suffrage Ephemera],
[Los Angeles: The Wm. L. Hoegee Co., ca. 1911].
Price: $600.00
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AUTOGRAPH LETTER SIGNED
Lyon, Mary.
South Hadley Canal: to Messrs. Merriam, Booksellers, Nov. 14, 1836.
Price: $500.00
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Only edition.  Trade catalog:  9-1/4 x 6-1/4", [12]pp; light brown wrappers (stapled) illustrated with three pieces of Paul Revere Ware’ the logo of the Paul Revere Pottery at the rear cover.  Illustrated with photographs of the Nottingham Hill studio; an artist painting a large vase; and the studio's offerings.  Touch of dampstaining to upper front cover and first leaf; pencil note at second page of price list.  Generally very good.  The catalog prints brief profile of the Paul Revere Pottery; photographs of its offerings; and, a complete price list.     The Saturday Evening Girls and the Paul Revere Pottery (1908-1942) arose out of the confluence of the Arts and Crafts Movement with the women's movement and the progressive spirit of the early 1900s.  Founders and artists Edith Brown and Edith Guerrier had the full support of Boston philanthropist Helen Storrow in this experiment to provide a vocation for talented young women and convey the aesthetics of the Arts and Crafts movement in pottery.  The Saturday Evening Girls and the Paul Revere Pottery became especially known for their engaging children's ware painted with geese, baby chicks and bunnies and often individualized with children’s names or initials.  The Pottery produced lamps, flower vases, bowls, candlesticks, tea caddies, trays, desk sets, pitchers, etc.  The pottery invoked a simple elegance in the shape of its ware and often relied on its glazes solely for decoration.  The catalog notes:  "The motto chosen for the ware on the first little circular is still and always will be the message the potters hope each piece will be worthy to carry - We derive all the value in us from the fact that our makers wrought at us with zeal, with integrity, with fail to do nobly an honest thing".     From its inception, the studio attracted an appreciative clientele and wide interest among contemporaries for its mission and its wares.  While the studio ceased operation during World War II, its pottery has continue to rise in the collectible market and its influence continues to be assessed by scholars.  OCLC records no holding, and only four locations of a 1915 catalog and two locations of a slightly smaller, undated, catalog.  Not in McKinstry or Romaine.  See:  Gadsden, Nonie, ART & REFORM:  Sara Galner, The Saturday Evening Girls, and The Paul Revere Pottery (2006, published in connection with the exhibit at the Museum of Fine Arts, Boston); and Chalmer, Meg and Judy L. Young, THE SATURDAY EVENING GIRLS; PAUL REVERE POTTERY (2005).
Trade Catalog: PAUL REVERE POTTERY WARE
[Saturday Evening Girls],
Brighton, Massachusetts: Paul Revere, [ca. 1921].
Price: $450.00
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