Results for: Edith Wharton
THE BOOK OF THE HOMELESS Le Livre des Sans-Foyer
(Wharton, Edith [ed]).
New York: Charles Scribners Sons, 1916.
Price: $500.00
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(Wharton, Edith [ed]).
New York: Charles Scribners Sons, 1916.
Price: $500.00
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HENRY JAMES AND EDITH WHARTON Letters: 1900-1915
(Wharton, Edith) Powers (ed.), Lyall.
New York: Charles Scribner's Sons, (1990).
Price: $20.00
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(Wharton, Edith) Powers (ed.), Lyall.
New York: Charles Scribner's Sons, (1990).
Price: $20.00
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STORIES FROM SCRIBNER'S STORIES OF NEW YORK
(Wharton, Edith).
New York: Charles Scribner's Sons, 1893.
Price: $350.00
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(Wharton, Edith).
New York: Charles Scribner's Sons, 1893.
Price: $350.00
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W.C. BROWNELL Tributes and Appreciations
(Wharton, Edith).
New York: Charles Scribner's Sons, 1929.
Price: $100.00
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(Wharton, Edith).
New York: Charles Scribner's Sons, 1929.
Price: $100.00
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A BACKWARD GLANCE Reminiscences by Edith Wharton
Wharton, Edith.
New York: D. Appleton-Century Company, 1934.
Price: $350.00
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Wharton, Edith.
New York: D. Appleton-Century Company, 1934.
Price: $350.00
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A SON AT THE FRONT
Wharton, Edith.
Toronto: The Copp Clark Co., Limited, 1923.
Price: $300.00
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Wharton, Edith.
Toronto: The Copp Clark Co., Limited, 1923.
Price: $300.00
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CRUCIAL INSTANCES
Wharton, Edith.
New York: Charles Scribner's Sons, 1901.
Price: $450.00
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Wharton, Edith.
New York: Charles Scribner's Sons, 1901.
Price: $450.00
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ETHAN FROME
Wharton, Edith.
New York: Charles Scribner's Sons, 1911.
Price: $1,250.00
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Wharton, Edith.
New York: Charles Scribner's Sons, 1911.
Price: $1,250.00
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FIGHTING FRANCE From Dunkerque to Belfort
Wharton, Edith.
New York: Charles Scribner's Sons, 1915.
Price: $650.00
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Wharton, Edith.
New York: Charles Scribner's Sons, 1915.
Price: $650.00
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FRENCH WAYS AND THEIR MEANING
Wharton, Edith.
New York: D. Appleton and Company, 1919.
Price: $125.00
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Wharton, Edith.
New York: D. Appleton and Company, 1919.
Price: $125.00
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HERE AND BEYOND
Wharton, Edith.
New York: D. Appleton & Company, 1926.
Price: $350.00
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Wharton, Edith.
New York: D. Appleton & Company, 1926.
Price: $350.00
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ITALIAN VILLAS AND THEIR GARDENS
Wharton, Edith.
New York: The Century Co., 1904.
Price: $2,500.00
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Wharton, Edith.
New York: The Century Co., 1904.
Price: $2,500.00
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MADAME DE TREYMES
Wharton, Edith.
New York: Charles Scribner's Sons, 1907.
Price: $300.00
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Wharton, Edith.
New York: Charles Scribner's Sons, 1907.
Price: $300.00
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THE CHILDREN
Wharton, Edith.
New York: D. Appleton and Company, 1928.
Price: $75.00
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Wharton, Edith.
New York: D. Appleton and Company, 1928.
Price: $75.00
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THE CHILDREN
Wharton, Edith.
[New York]: Grosset & Dunlap, Publishers by arrangement with D. Appleton & Company, [1930].
Price: $200.00
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Wharton, Edith.
[New York]: Grosset & Dunlap, Publishers by arrangement with D. Appleton & Company, [1930].
Price: $200.00
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THE CRUISE OF THE VANADIS
Wharton, Edith.
Amiens: Sterne, (1992).
Price: $75.00
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Wharton, Edith.
Amiens: Sterne, (1992).
Price: $75.00
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THE CUSTOM OF THE COUNTRY
Wharton, Edith.
London: Macmillan and Co. Limited, 1913.
Price: $250.00
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Wharton, Edith.
London: Macmillan and Co. Limited, 1913.
Price: $250.00
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THE CUSTOM OF THE COUNTRY
Wharton, Edith.
New York: Charles Scribner's Sons, 1913.
Price: $200.00
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Wharton, Edith.
New York: Charles Scribner's Sons, 1913.
Price: $200.00
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THE EDITH WHARTON READER edited by Louis Auchincloss
Wharton, Edith.
New York: Charles Scribner's Sons, (1965).
Price: $30.00
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Wharton, Edith.
New York: Charles Scribner's Sons, (1965).
Price: $30.00
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THE GODS ARRIVE
Wharton, Edith.
New York: D. Appleton and Company, 1932.
Price: $350.00
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Wharton, Edith.
New York: D. Appleton and Company, 1932.
Price: $350.00
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![First Canadian edition. (First edition, first printing, presumed second [Canadian] issue [Garrison]). 12mo, 426pp; vertically-ribbed red cloth stamped in gold front and spine; printed beige dust jacket (lacking the copy at flaps and back panel which appears on the American edition). Gold dimmed. Jacket has an ink spot at rear panel. The book is clean and crisp; the jacket fresh and bright. Very good. Scribners printed 60,000 copies of the novel for the American market. How many were printed for the Canadian is unknown, but a royalty statement four months after publication indicate only 1,000 copies sold. This form of the book is decidedly scarce and in the dust jacket remarkable (the bibliographer does not record it). Gold dimmed. Jacket has an ink spot at rear panel. The book is clean and crisp; the jacket fresh and bright. Near fine/fine. Garrison A32.I.a2. First Canadian edition. (First edition, first printing, presumed second [Canadian] issue [Garrison]). 12mo, 426pp; vertically-ribbed red cloth stamped in gold front and spine; printed beige dust jacket (lacking the copy at flaps and back panel which appears on the American edition). Gold dimmed. Jacket has an ink spot at rear panel. The book is clean and crisp; the jacket fresh and bright. Very good. Scribners printed 60,000 copies of the novel for the American market. How many were printed for the Canadian is unknown, but a royalty statement four months after publication indicate only 1,000 copies sold. This form of the book is decidedly scarce and in the dust jacket remarkable (the bibliographer does not record it). Gold dimmed. Jacket has an ink spot at rear panel. The book is clean and crisp; the jacket fresh and bright. Near fine/fine. Garrison A32.I.a2.](/wharton/images/items/120x300/9436.jpg)





![First edition. First printing, American issue; Garrison's Binding A. 4to, 250pp; + endmatter (List of Books Mentioned; Architects and Landscape-Gardeners Mentioned; and, Index); decorated trade binding designed by Decorative Designers: at the front cover, gold-stamped lion and shield design above a pale blue-stamped picture of a garden, gold-stamped pedestal design, with shield and scroll at bottom, and surrounding seven lines stamped in dark grayish-green. Top edge gilded. Contemporary ink inscription (Christmas, 1904) to upper margin of front pastedown; small owner's library ticket front pastedown. Touch of fraying to tips; spine a trifle dimmed; shallow bump to top edge of rear cover; two shallow pin scratches to front cover. A firm, fresh copy. Near fine. Illustrated by Maxfield Parrish with 15 color and 11 black and white plates. Also illustrated with photographs and additional drawings by E. Denison, Malcolm Fraser and C.A. Vanderhoof. The design at the front cover is inspired by Maxfield Parrish's illustration of the "Villa Pia: In the Gardens of the Vatican". A lush, handsome production that reflects the golden age of American publishing. Each detail of the book has been carefully designed: a large, elegant typeface; generous margins; illustration captions, running heads and page numbers printed in a delicate shade of umber. As a trade publication ITALIAN VILLAS AND THEIR GARDENS would be hard to surpass. Mrs. Wharton's text is equal to its beautiful setting. She prepared herself to write the book by first reading relevant texts in French, German and Italian, studying old plans and examining prints and drawings from Peter Paul Rubens' depictions of Genoese villas to Gianfresco Costa's etchings of villas [Dwight, EDITH WHARTON An Extraordinary Life]. She and Teddy traveled to Italy and visited some 70 villas and her account still is invaluable as a guide for the traveler as well as the gardener. For Mrs. Wharton a successful garden possessed "garden-magic", an ineffable quality that suggested 'it was born, not built'. In conveying such garden-magic, Mrs. Wharton created her own. Garrison A10.I.a. Dwight, EDITH WHARTON An Extraordinary Life, pp. 102-111. First edition. First printing, American issue; Garrison's Binding A. 4to, 250pp; + endmatter (List of Books Mentioned; Architects and Landscape-Gardeners Mentioned; and, Index); decorated trade binding designed by Decorative Designers: at the front cover, gold-stamped lion and shield design above a pale blue-stamped picture of a garden, gold-stamped pedestal design, with shield and scroll at bottom, and surrounding seven lines stamped in dark grayish-green. Top edge gilded. Contemporary ink inscription (Christmas, 1904) to upper margin of front pastedown; small owner's library ticket front pastedown. Touch of fraying to tips; spine a trifle dimmed; shallow bump to top edge of rear cover; two shallow pin scratches to front cover. A firm, fresh copy. Near fine. Illustrated by Maxfield Parrish with 15 color and 11 black and white plates. Also illustrated with photographs and additional drawings by E. Denison, Malcolm Fraser and C.A. Vanderhoof. The design at the front cover is inspired by Maxfield Parrish's illustration of the "Villa Pia: In the Gardens of the Vatican". A lush, handsome production that reflects the golden age of American publishing. Each detail of the book has been carefully designed: a large, elegant typeface; generous margins; illustration captions, running heads and page numbers printed in a delicate shade of umber. As a trade publication ITALIAN VILLAS AND THEIR GARDENS would be hard to surpass. Mrs. Wharton's text is equal to its beautiful setting. She prepared herself to write the book by first reading relevant texts in French, German and Italian, studying old plans and examining prints and drawings from Peter Paul Rubens' depictions of Genoese villas to Gianfresco Costa's etchings of villas [Dwight, EDITH WHARTON An Extraordinary Life]. She and Teddy traveled to Italy and visited some 70 villas and her account still is invaluable as a guide for the traveler as well as the gardener. For Mrs. Wharton a successful garden possessed "garden-magic", an ineffable quality that suggested 'it was born, not built'. In conveying such garden-magic, Mrs. Wharton created her own. Garrison A10.I.a. Dwight, EDITH WHARTON An Extraordinary Life, pp. 102-111.](/wharton/images/items/120x300/14722.jpg)


![Later Grosset & Dunlap edition issued as part of "Novels of Distinction" series. 8vo, [347]pp; textured reddish-purple cloth with black labels printed in silver at front and spine; publisher's logo in blind at the front cover and publisher stamped in silver gray at the spine; pictorial buff dust jacket printed in black, yellow. The jacket flaps print a full list of the "Novels of Distinction" series as well as an interesting thumbnail profile of the writer at the rear panel. Bookseller's ticket at rear pastedown; minor use to dust jacket at spine ends, with a 3/4" closed tear (taped at the reverse) at the foot. Fresh, crisp, and attractive. Near fine. This Grosset & Dunlap edition is noteworthy for the slightly lurid tone of its jacket. Reprint houses needed jackets to appeal to a wide reading base and, not surprisingly, Grosset & Dunlap jackets for Mrs. Wharton's titles were often more visually striking than those printed by Scribner's or Appleton's. Garrison A42.I.i. Garrison based the entry of a letter from Appleton editor Rutger Jewett to Mrs. Wharton reporting a reprint house would issue a special edition of 10,000 copies, "Not seen". A "3" appears at the end of the text; and, the text accords with the points Garrison notes for the third Appleton printing (A42.I.g). The first time we have handled this edition. Later Grosset & Dunlap edition issued as part of "Novels of Distinction" series. 8vo, [347]pp; textured reddish-purple cloth with black labels printed in silver at front and spine; publisher's logo in blind at the front cover and publisher stamped in silver gray at the spine; pictorial buff dust jacket printed in black, yellow. The jacket flaps print a full list of the "Novels of Distinction" series as well as an interesting thumbnail profile of the writer at the rear panel. Bookseller's ticket at rear pastedown; minor use to dust jacket at spine ends, with a 3/4" closed tear (taped at the reverse) at the foot. Fresh, crisp, and attractive. Near fine. This Grosset & Dunlap edition is noteworthy for the slightly lurid tone of its jacket. Reprint houses needed jackets to appeal to a wide reading base and, not surprisingly, Grosset & Dunlap jackets for Mrs. Wharton's titles were often more visually striking than those printed by Scribner's or Appleton's. Garrison A42.I.i. Garrison based the entry of a letter from Appleton editor Rutger Jewett to Mrs. Wharton reporting a reprint house would issue a special edition of 10,000 copies, "Not seen". A "3" appears at the end of the text; and, the text accords with the points Garrison notes for the third Appleton printing (A42.I.g). The first time we have handled this edition.](/wharton/images/items/120x300/15168.jpg)


![First edition. 12mo, 594pp; vertically-ribbed red cloth stamped in gilt front and spine. Ownership signature (with considerable flourish) and date in purple ink at lower forecorner, front free endpaper; glue residue, probably from a bookplate, at the front pastedown. Front board very slight warped; some surface wear; top edge darkened. A bright, firm copy. Very good. With publisher's catalogue highlighting "Some Scribner Fall publications" featuring THE CUSTOM OF THE COUNTRY as the leadoff title. A scathing social satire on new money, social climbing and ineffectual old society. Undine Spragg, her mother named her daughter after a hair unguent, is vacuous, shrewd and determined as she marries her way through society. The critic Cynthia Woolf considers the novel of "superb quality", reflecting "Wharton’s abilities at the height of her powers" [A FEAST OF WORDS.] It is a novel which Sinclair Lewis admired and certainly influenced his own satires of American society that he wrote a decade later. Fine. Garrison A21.1.a. First edition. 12mo, 594pp; vertically-ribbed red cloth stamped in gilt front and spine. Ownership signature (with considerable flourish) and date in purple ink at lower forecorner, front free endpaper; glue residue, probably from a bookplate, at the front pastedown. Front board very slight warped; some surface wear; top edge darkened. A bright, firm copy. Very good. With publisher's catalogue highlighting "Some Scribner Fall publications" featuring THE CUSTOM OF THE COUNTRY as the leadoff title. A scathing social satire on new money, social climbing and ineffectual old society. Undine Spragg, her mother named her daughter after a hair unguent, is vacuous, shrewd and determined as she marries her way through society. The critic Cynthia Woolf considers the novel of "superb quality", reflecting "Wharton’s abilities at the height of her powers" [A FEAST OF WORDS.] It is a novel which Sinclair Lewis admired and certainly influenced his own satires of American society that he wrote a decade later. Fine. Garrison A21.1.a.](/wharton/images/items/120x300/15141.jpg)

